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Se equivocó la paloma - Carlos Guastavino​/​transcribed and arranged by P. Cohen

from "4​:​00 am" by Pablo Cohen - plays transcriptions of piano music by Chick Corea, Gismonti, Salgán and Guastavino.

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Guastavino’s music is charged with nostalgic and melancholic connotations and conveys a sense of the past. His music is evocative, based on folk and poetic forms. He does not attempt to engage in progressive trends or extensive forms, but rather his simple language and romantic style naturally fit his own personality and temperament. Primarily a composer for choir and art song repertoire, he enjoyed some recognition outside Argentina mainly due to his voice and piano scores, recorded by artists such as Jose Carreras, Teresa Berganza, Victoria de los Angeles and Elly Ameling. His association with Manuel de Falla should be noted. Guastavino met the Spanish composer and visited him a number of times as De Falla expressed interest in Guastavino’s music and discussed with him some of his songs and piano works.

Guastavino (Santa Fé 1912 - Buenos Aires 2000) always liked the guitar and recognized its popular appeal and its natural association with the folk traditions of Argentina. In addition to his original guitar works and the Cantilenas for piano that Guastavino transcribed during the sixties, a large number of pieces from his other piano and song collections lend themselves very well to transcription and arrangement for classical guitar. For this recording the pieces are one is his songs, Se equivocó la paloma, and Fermina from the collection Mis amigos.

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from "4​:​00 am", released November 5, 2022

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Pablo Cohen Ithaca, New York

An endearing performer, Pablo Cohen has participated in solo, ensemble, and orchestral concerts in the United States, Europe, Asia, Latin America, and the Caribbean. Concerts at the Salle Cortot in Paris, at the Ho-Am Hall for Performing Arts in Seoul, at Carnegie Hall in New York, and throughout North America and Europe. 2018 Gold Medal / Recording of the Year -Global Music Awards, and IM awards. ... more

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